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Singer Spotlight: Making It as an Ensemble Singer and Baroque Performance Practice Specialist with Sarah Moyer
Posted October 17, 2025When it comes to converting a degree in vocal performance into a professional career, the options for talented young singers can feel thin. Competition is fierce, and unlike instrumentalists, there aren’t many ready-made opportunities in vocal ensembles waiting for the next batch of graduates to audition.
Notes on Notes: The Beauty and Pathos of Bach’s Erbarme dich
Posted February 18, 2025Erbarme dich is the most iconic piece from the St. Matthew Passion—but do you know why Bach’s writing is so expressive? CBE’s Margaret Soper Gutierrez explains.
Notes on Notes: Bach’s Naked Aria Aus Liebe will mein Heiland sterben
Posted February 18, 2025Bach’s unusual aria Aus Liebe will mein Heiland sterben is the only movement in the St. Matthew Passion with no continuo—why would he strip this away?
Jena Dickey Shares the Young Voices of Colorado Vision of Creating Opportunity and Excellence
Posted February 10, 2025Jena Dickey started Young Voices 30 years ago, and today, you can find her kids singing all over the world. Their next stop? The St. Matthew Passion with CBE.
Notes on Notes: Why is Jesus a Bass in the St. Matthew Passion?
Posted February 10, 2025Audiences are used to tenors singing the lead roles, but why did Bach cast Jesus as a bass in his major works? Colorado Bach Ensemble’s James Kim explains.
Visiting Virtuosi: Lyric Tenor Dann Coakwell on Bach’s Evangelists
Posted February 5, 2025Lyric tenor Dann Coakwell has forged an international career singing Bach’s Evangelists. We discuss the role and the challenges of Bach’s St. Matthew Passion.
A Theological Text Reflection on the Cantata “O ewiges Feuer, Ursprung der Liebe”(O Eternal Fire, O Source of Love, BWV 34)
Posted October 2, 2023On September 23rd and 24th, Dr. Knut Heim of Denver Theological Seminary gave an insightful and artistically comprehensive lecture outlining...